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Peter Myers

Writer/Producer and Script Analyst

Personal Details

Name: Peter Myers

Last visit: Jul 12, 2008

Contact: Send message

Interests

There is very little that DOESN'T interest me in life. But I find people and the things they say and do and create to be the most interesting and the most inspiring.

Movies

movies with poetic moments which take you into the zone. doesn't matter what genre.

About Me

Producer:

In partnership with New York Film Group, Peter is producing the theatrical feature, VENGEANCE, from his own script. Principal photography: May, 2008. Director attached: Vahe Babaian, (After Freedom, winner, Audience Award, Method Fest). Budget $5 million. Distributor letter-of-interest: Artist View Entertainment. Seed money has been raised. Casting of major roles in progress.

Peter co-executive-produced “SPEAK TO THE WORLD,” a pilot for an interview show for cable television. He also co-produced and co-wrote “DOUBLE CROSS,” a half-hour suspense drama for cable, which was offered a worldwide distribution deal within a month of its completion.

Additionally, Peter was a founding partner and Senior Vice President of Creative Affairs of BlueSky Pictures, an Anglo-Dutch film company which, in concert with Creative Artists Agency, in Los Angeles, developed a motion picture package with Antonio Banderas attached to star, and Michael Cristofer attached to direct.

As BlueSky’s head of Creative Affairs, it was Peter’s responsibility to make recommendations on all projects submitted to the company, and to advise the CEO of their quality and produceability. In that company, Peter was also involved in raising financing, packaging directors and stars, and getting distributor interest. As such, Peter developed relationships for the company with senior executives at Universal Pictures, Miramax, Sony Pictures Classics and Fox Searchlight Pictures.

Writer:

Peter has optioned four theatrical feature scripts to independent producers and has done rewrites on indie projects, for both the big screen and small screen. Short films, a stage play, and numerous public service announcements have been produced from his scripts, among them, the half-hour short, Double Cross, which he also produced with two partners.

In 2008, Peter has been hired, for low six figures against mid-six figures, to write a theatrical feature based on the life of a European princess. The film will be written from her in-progress autobiography, which he is also editing. Three producers, including a two-time Best Picture Oscar winner, as well as a 2008 Oscar-winning actress, are already interested in the project.

Peter is currently in dialogue with Oscar nominee, Terrence Howard, to write a theatrical feature, which Terrence will star in and produce. Peter developed his script “Victory Girl” with Best Picture Oscar winner, Fred Roos.

Peter’s comedy, The Meshugana Brothers: Easy Money, was awarded an Honorable Mention in the 2005 Thunderbird International Film Festival Screenplay Competition.

Having received seed financing through private equity, Peter and a producing partner have begun pre-preproduction on his packaged project VENGEANCE. Budget: $5 million. Principal photography is slated for Summer, 2008.

Bluewater Productions hired Peter to write a sci-fi/action/thriller, which is currently available. Additionally, Bluewater has optioned three of Peter’s treatments, which are in the script development or packaging stages.

Peter has written/co-written/consulted on 41 different independent film, television and theater projects --- (20 sold, including 15 produced short films or public service announcements and 4 feature scripts optioned). His suspense/drama, Double Cross, (which he co-wrote/co-produced), was shot in Malibu, California in Summer, 2003.

Peter’s romantic comedy, The Pickup, was produced for the cable medium. His Chapters in Black American History have aired many times on U.S. syndicated television. His play, John Brown and Frederick Douglass, was produced for the stage.

One of my other hats in life is to help other writers. To that end, here is information about my script analysis service.

Goal

To get entertaining and enlightening truths on the screen, and to help other writers do the same.

Services

Story and Script Analyst
Fee: $3.00 to $10.00 per page

Story and Script Consultant
Fee: $75.00 per hour

Professional Experience

Script Analyst
This is an additional hat I have worn in the last few years
June 2003 - Present

NEED PROFESSIONAL FEEDBACK ON YOUR SCRIPT?

Spot-on script analyses done!

Do you want to take your script to the next level, so it will sell quickly and be made into a great film? Do you also want some feedback on what to do in a rewrite, or on whether the script is ready for the marketplace?

I will give you a spot-on script analysis which shows you both the strong points of your script, which you should NOT change, as well as areas needing improvement.

In contrast to simple coverage, my analyses are extensive write-ups which deal, in specifics, with all the areas which need work in order to make the piece succeed in the marketplace. Having been the senior creative exec in a production company, I can look at material from a producer's vantage point, as well as a writer's.

I've gotten sharp enough that my writer clients often recommend me to their fellow writers.

I have optioned several features, had a number of shorts and TV spots produced, ICM is currently packaging a $35 million project on which I did a major rewrite for a producer, and I am slated to co-write a film later this year with and for a 2006 Oscar and Golden Globe nominee for Best Actor.

I am also producing one of my own scripts in Fall, 2008, on a budget of $5 million, so I can definitely give you feedback from the viewpoint of a producer!

I have a one-week turnaround on this service and info on my fee, which is competitive, is available upon request. You can reach me at 323-821-7349, 323-464-8537 or email me at peterdavidmyers@gmail.com. If you want to check out my bio, it starts on the next page. Screenwriter client testimonials are shown below.

I look forward to hearing from you and to helping you make a great script, which sells, and is made into a satisfying and commercially successful film!

Peter Myers

FOR THE MOST RECENT TESTIMONIALS FROM MY SCREENWRITER CLIENTS, SCROLL TOWARD THE BOTTOM TO "COMMENTS"

AND HERE ARE EALRIER TESTIMONIALS:

Peter Myers evaluation and analysis of my screenplay was key in assisting toward its re-write and completion. Peter first evaluated what was strong about my screenplay. No condescending screenplay bashing going on here! I felt respected as an artist
and encouraged to write on, not stifled or discouraged as so often individuals who we trust our precious “babies" with do. From there he critiqued for continuity and consistency of story and
style. He helped me evaluate what was superfluous so I’d have a tight, moving story. I felt Peter’s expert help got me beyond barriers that I would not otherwise been aware of. I very highly recommend Peter for his expertise as a writer/analyst and as a person who can be safe and trustworthy with such a delicate task!
Sincerely, Cassandra Spencer, Los Angeles, Calif.
_________________________________________________
Peter was able to help clarify for me weak points on my current project, discover the scenes that were not contributing to the message and/or story,
grammatical and continuity errors and over all direction. I would highly recommend him for script analysis.
Sincerely,
Dharma Wright, Los Angeles, Calif.
_________________________________________________

Pete, thanks for sending back the script so quickly.
The rewrite is in progress and your notes -- well, "invaluable" is almost an understatement. You have my unqualified endorsement.
J.M., Los Angeles
__________________________________________________

Peter Myers did a thorough- script analysis for me on my soccer-related script. He examined all levels in the piece and told me exactly what I had to do to make it better. I would recommend him to anyone seeking a spot-on analysis of their screenplay.
Michael Hakim, Exiled Entertainment, Beverly Hills, Calif.
_________________________________________________
To Whom It May Concern:
I am associated with a French actor/writer, and hired Peter Myers to do an analysis on the script, PINK LIMO. He gave me a 5 1/2-page, single-spaced analysis, which covered all the things needed on how to make the script better. He looked at the project from the creative and marketing angles. He didn’t get into destructive criticism, but laser-beamed right to what should be worked on to make the script work fully. He understood the genre, but also discussed many details like story beats and dialogue needing improvement. Plus, he showed knowledge of how greenlighting decisions are made in Hollywood. I would hire him again, as the need arises, and would recommend him to any writer as a competent script analyst.
Sincerely,
Karin Zatt, Westwood, Calif.

MY BIO FOLLOWS:
Peter David Myers
Writer/Producer

In partnership with New York Film Group, Peter is producing the theatrical feature, VENGEANCE from his own script. Principal photography: Fall, 2008. Attachments: Director, Vahe Babaian (After Freedom) and stars L'il Romeo,, Ron Silver, and more to come. Budget $5 million. Seed money has been raised.

Peter co-executive-produced “SPEAK TO THE WORLD,” a pilot for an interview show for cable television. He also co-produced and co-wrote “DOUBLE CROSS,” a half-hour suspense drama for cable, which was offered a worldwide distribution deal within a month of its completion.

Additionally, Peter was a founding partner and Senior Vice President of Creative Affairs of BlueSky Pictures, an Anglo-Dutch film company which, in concert with Creative Artists Agency, in Los Angeles, developed a motion picture package with Antonio Banderas attached to star, and Michael Cristofer attached to direct.

As BlueSky’s head of Creative Affairs, it was Peter’s responsibility to make recommendations on all projects submitted to the company, and to advise the CEO of their quality and produceability. In that company, Peter was also involved in raising financing, packaging directors and stars, and getting distributor interest. As such, Peter developed relationships for the company with senior executives at Universal Pictures, Miramax, Sony Pictures Classics and Fox Searchlight Pictures.

Writer:

Terrence Howard, nominated for both a Golden Globe and an Oscar in 2006, is forming a partnership with Peter in order to write a dramatic feature film. The project already has major producer interest.

Peter’s script, The Meshugana Brothers: Easy Money, was awarded an Honorable Mention in the 2005 Thunderbird International Film Festival Screenplay Competition.

Peter has written/co-written/consulted on 41 different independent film, television and theater projects --- (20 sold, including 15 produced public service announcements or short films and 4 feature scripts optioned). His suspense/drama, Double Cross, (which he co-wrote/co-produced), was shot in Malibu, California in Summer, 2003.

Peter’s romantic comedy, The Pickup, was produced for the cable medium. His Chapters in Black American History have aired many times on U.S. syndicated television. His play, John Brown and Frederick Douglass, was produced for the stage.

Three of Peter’s feature treatments, and one full script, are optioned and in the development and/or packaging stages with Bluewater Productions, an independent, Los Angeles development and production company.

Screenwriter
self-employed
May 1990 - Present

I'm a full-time writer/producer, repped by a literary manager. I have had several scripts sold and optioned and two shorts and many PSA's produced. For the past six years, I've been hired consistently to write scripts for producers and investors. I am also hired by other writers to analyze their scripts. Now, I'm in pre-preproduction on one of my own scripts with a parnter in NY, so, on that latter hat of script analyst, I can offer a producer's perspective as well.

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Comments 1-13 of 13

Phoenix

Jun 22, 2008 3:29 AM

Dear Peter,

Thank you so much for your great analysis. I was stunned reading it. First of all, I have to say honestly that---you really are beyond genius! I just couldn’t believe that someone can have that kind of ability to see through “things” the way you do and not miss a thing! Like you’re in a trance or something and everything just flows out of you naturally. That’s what I meant, when I talked about “the MASTER”.

I have to admit that I realized there would be a major rewrite needed on this script; however, what I had in mind was only 10% of what you laid out for me. Gee…it’s like a kindergarten kid trying to pass a high school test or something. The good part is I understand and agree with every point that you made even though I couldn’t see those things in the beginning. And you just hit the nails on the heads, one by one. How brilliant is that? Thank you so much for giving my script a new lease on life.

As I said…it’s going to be A MAJOR, MAJOR rewrite and could take a month. However, I will try my best to change things and add something to it to make it more multi-dimensional. I think you must have a third eye which lets you see things that other people, me included, can’t see. I’ve heard that great analysts have to be one step ahead of us and you are obviously so many steps beyond. There are very few genuine great analysts in this field and you are absolutely one of them.

By the way, who can beat the fee that you charge us? Next time I’ll pay you more for sure because you deserve it. You are such a great person!

Highest Regards,

Phoenix

John

May 8, 2008 12:25 PM

Hey Pete Diddy,

Thanks again for all of your hard work. Since I'm so new at this, I'm sure that you really had your work cut out for you! I think that I have a much better feel for what the industry is looking for now. Thanks to your expertise, I can now apply everything that I've learned to my current and future projects. I will definitely be using your services again and would encourage any aspiring screenwriter to do so as well. You da man!

J.D.

Dirk Scott Levinsohn

Feb 28, 2008 10:14 AM

Peter -

I just wanted to personally thank you for the superlative script analysis you provided on my teen thriller/horror script GINGERBREAD. I incorporated many of your well thought out notes and as a result I'm having unprecedented success.

Just this past week, I received a phone call from Creative Screenwriting Magazine informing me that GINGERBREAD took Third Place (out of 3,500 submissions) in their AAA Competition. Needless to say, I was utterly shocked. Especially, because GINGERBREAD is a teen thriller/horror that would not normally be recognized in such a way.

The screenplay is now going out to 350 agencies and production companies around the town. Prior to this win, GINGERBREAD was also a Top Twenty script at the Slamdance Horror Competition and an Honorable Mention at this past year's Screenwriting Expo in Los Angeles. I'm already being contacted by Managers to see if I'm repped.

Thanks so much Peter. You really made a huge difference!

Best,

Dirk Levinsohn

Penny

Oct 30, 2007 5:01 PM

Peter,

What can I say; you are truly a master at what you do… I have to tell you a quick story. One year ago, I had submitted my script along with a check to a script analysis, in returned, three months later, I received a two-page double spaced letter back, stating that my script was well crafted, polished, and there is noting more that I can do… I was excited, so I submitted my screenplay in a screenplay competition. It won semi finalist out of 2,200 which is not to bad. I thought wow! What now? Thinking that my script was ready, I started submitting it to produces that had requested it. But in return, never got a response back… Even though this particular script-analysis told me that it was ready. I knew inside, that something in the script just was not working.. But what? I thought to myself.
Then I met Peter Myers, my script savoir. Peter, your work was not only worth every single dime, but you sent me a fifteen page SINGLE letter stating all the things that my script desperately needed or did not need. You turned it up, down and inside out. Your turn-around time was a whopping week in a half. WOW! Your work Peter was so detail and insightful that my script is now on the RIGHT PATH. You were honest, sincere and gave my script the attention that it needed.

Thank you from the bottom of my heart Peter Myers.

I look forward to your re-analysis.. "would not go anywhere else"

Sincerely,

Penny Laurae Onkka - “Grasshopper”

Ian

Oct 6, 2007 10:11 AM

Many thanks. WOW! What a lot of work you've done. You've really earned your money on this one.

Reading your analysis, I can see exactly why you've come to the conclusions you have and it will really help me to make my script better and more marketable.

I can see you're dead right on it - absolutely. As you say, I've got some work to do, but I can see what I need to do, thanks to you. Glad I met you.

Many thanks.

Ian

Jason Shackelford

Jul 27, 2007 11:42 AM

As a novice screenwriter I coudn't have made a better choice. Peter did an outstanding job on my script evaluation. I plan on sticking with him on future projects. He told me things about my script that I needed to hear and he did it in a kind way, to me, that aspect was very important. After discussing the problems and solutions, I now have a second gust of inspiration to finish my script with confidence that it will be better than ever.

I can't thank him enough.

Thanks again Peter.

Jason K. Shackelford

Richard

Jul 23, 2007 7:14 AM

Your analysis has been immensely helpful, but perhaps not in the way intended.

Like the Winchester House, the script became a panoply of askew-ness. With each addition, it became more out of plumb, level and square.

By your drawing attention to this, the original concept, the core feeling of the story has returned. When you re-read the revision, you will see exactly what I mean. It's about focus, depth-of-field, and most importantly, intent.

Again, thanks for the analysis -- with all the positives and negatives. It will certainly make the story right.

RML

Gloria Ladd

May 18, 2007 12:56 PM

Peter's analysis of my television script was magnificent. He not only pointed out my mistakes but also included just how to correct them. Quality criticism, quality suggestions, plus praise when I got an important section right. His analysis will remain an invaluable learning experience.
I highly recommend him to any and all who feel they need a helping hand.
Thank you, Peter.
Gloria Ladd

Victor

Apr 13, 2007 12:35 AM

Hi Peter!

Just wanted to say, "An Evening With Peter Myers" was excellent! It was the most helpful and liberating seminar I've ever been to on writing, and in particular, screenwriting and the business surrounding it. Your anecdotes, humility, sincerity, measured evaluations of the current environment and wise advice were just what I needed to get and stay inspired. Your inner strength and simple intention is contagious, and I'm glad I was there to catch it. Thanks!

Victor Rivero, Writer/Editor

Alexandra Stafford

Mar 26, 2007 5:41 PM

So glad I met Peter Myers! I'd had some success in a few contests but wanted to elevate my scripts to a professional level. Peter's complete, multi-page analysis was extremely helpful. Not only did he give great story advice but also marketing guidance from the viewpoint of a producer. Thanks so much, Peter.

Laura Elise Phillips

Feb 4, 2007 9:02 PM

Peter Myers is great! I found him through a mutual friend that is a possible investor, and he came highly reccomended as the one that could give my film the extra edge. Myers did an outstanding script analysis for my screenplay A Switch in Time which is in the pre-production stage and being directed by Aimee Galicia Torres. Go to www.aimesterproduction.com for our latest neews that includes our production team having a highly enjoyable and productive team meeting with Peter Myers. Thanks Peter for rescuing my project! Laura Phillips

Brad Batchelor

Jan 23, 2007 8:33 PM

Peter,
Thank you for this analysis. I love it. A few months ago i almost
went to a screenwriting seminar in n.y. but i did not have time,
so i thought, why not just spend the equiv. amount of money and buy
books that will last forever. So i did buy a few great screenwriting
books.
The problem was time. I only had so much time to fit in writing so i
procrastinated in reading the books.
Last night i read your analysis of A.T. W., which was
wonderful. many of the areas that I was not sure about at the time
of writing you found and commented on. Interesting how there are so
many things that pop up that i did not anticipate, therefore my
format in certain areas was only my own invention and thus you found
because my inventions were unacceptable format. Thank God that the
computer program does most of the formating.
This one book "the screenwriters bible, 3rd edition" is great. sounds
like you wrote it. I really should have read it long ago. Now that
i have experience writing the book makes more sense and i understand
and can relate to what it discusses. So i think your analysis was
most valuable now and it blends in with my accelerated learning
program relative to this profession. Your suggestions in all the
areas of Dialogue, format, structure, plot, etc. etc. will be invaluable in getting this project to a higher level.
I really appreciate your thorough evaluation and suggestions.
Thanks for being so complete in your analysis and time and cost efficient. I will cerainly recommend you to my friends!
With Warmest Regards,
Brad Batchelor
flying scotsman productions, Inc.

James Rivard

Jan 23, 2007 8:33 PM

Peter did a thorough, prompt, and honest evaluation of my script Just To Love. After review, many of the suggestions were incorporated in my revision. It was money well spent.